Andre Ktori

Andre Ktori

Associate Professor and Head of School, Te Rewa O Puanga School of Music and Creative Media Production

Associate Professor Andre Ktori founded the London based music collective AudioRom and is a BAFTA, Milia d’Or and Millennium Product award winner . He has exhibited in international venues such as The Tate Britain, Museu d’Art Contemporani de Barcelona and Musée du Louvre.

Andre has also worked in convergence media developing cross-platform opportunities for organisations such as the BBC, Sky, Open, V2 and Nokia, He has also partnered in various creative arts labs and research projects for The Department of Trade and Industry, The European Commission, London Arts Board and the BBC.

  • Expertise

    Cross media development; design and representation for musical interaction; electronic music composition; remote network performance development; sound studies; digital media and music ecology; music technology; and media sandpit and lab facilitation.

  • Research Highlights

    AudioRom ShiftControl, Interactive Music (1999) (Second edition 2000)
    Enhanced CD. 16 interactive music interfaces and seven audio works featuring T Power. Awarded a BAFTA for Best Design, Milia D’or for Leisure and Entertainment, and a Design Council Millennium Product award for Innovation.

    TrigerHappy Music Installation (1998)
    Interactive music installations commissioned by the Institute of Contemporary Arts, London and Sun Microsystems. Consisting of multi-user interactive sound and image works controlled via motion tracking and light sensitive devices, this installation was exhibited at the Institute of Contemporary Arts, London; Fuse, San Francisco; Sonar, Barcelona; Art 300, Paris; and The British Council Sensurround Tour of Israel, Greece, Brazil, and Germany.

    SoundTrax (1998)
    Site-based multi-user music installation networked between Manchester and Liverpool city rail stations, UK. Screen-based sound and music interface composed by travellers and controlled by the passage of the trains between the two stations Strings and Field Concrete. Commissioned by ISEA (International Symposium of Electronic Arts), The Arts Council of England and the BBC.

    Presence (1999)
    Remote user-generated sound and image work. Commissioned by INTEL and Arts Alliance Venture Capital for The Allure of the Digital, Tate Britain. Audio-visual work projected into the Turner Gallery of The Tate Britain. Conference panel: Peter Molyneux, The Attik, AudioRom and Malcolm McLaren.

  • Qualifications

    BA (University of Wales, Newport)
    MA (University of Westminster)